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![]() Since I graduated I have been working at The Science Museum |
My background Positions: Freelance exhibition consultant for the applied arts: clients include The British Council, Crafts Council and Geffrye Museum (2001-present); Partner, Brighten the Corners, studio for design (1999-2001); Deputy Editor, Ceramic Review Magazine (1996-present) PG Dip: Ceramics (Goldsmiths’ College, 1993) BA: Interior Design (Nottingham Trent University, 1991) My expertise Multidisciplinary: including 3-D design, writing, editing, publishing, small-team management and small-scale manufacturing My focus Cultural, educational environments Temporary narrative spaces Design management: the role of the brief in the creative process My placement The Science Museum My CV (pdf) THE FIELD at Sainsbury’s is a year-long installation in a supermarket. Stories of a single arable field are told through a series of large-scale scenes built up from everyday products. In-store signage and packaging support each installation, carrying key messages and micro stories. At home, packaging takes on a new life, so that, for example, a plastic water bottle becomes a seed incubator, as children explore the how, when and why of a field of wheat. Revealing stories over a year takes the pressure off the audience. Hijacking a few minutes in the weekly family shop transforms a routine chore and provides genuine context. Focussing on the field not the farmer, and reality over romance or agendas, FIELD is about removing a few boundaries as well as reconsidering the way exhibitions might deliver their content.
(13) Julia Pitts
Strategic design for cultural environments Collaborators Concept development: Despina Hadjilouca, Sasi Palsson, Simona Piantieri Identity and product designs: Chihiro Murakami Content: The stories, told to me by my parents and two brothers, came from Halter Death, a 42-acre field of Northamptonshire’s heaviest clay soil. Advice on content and copy: Anna Beattie, TV executive, Des Waddy, writer Contact julia.pitts@talk21.com
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